The Hospital (1971)


Directed by: Arthur Hiller
Written by: Paddy Chayefsky
Starring: George C. Scott, Diana Rigg
Doctors becoming patients, Nurses killing patients (who happen to be doctors), Naked Indian witch doctors, George C. Scott drun on vodka rapes a patients daughter, Chayefsky!!! The Hospital features all this and so much more.
Scott plays Dr. Herbert Bock a suicidal, drunken chief of staff in a hospital full of more monkeys than your local zoo. The film is 24 hours in his life at the hospital from hell. Outside its walls a protest grows ever more violent. Inside, Bock rules over the nurses and doctors (who’s staggering number makes it hard to know who is who). 3 members of Staff end up dead and a riot f protesters nearly breaks out. All this plot is moved forward with the dialog and pacing that Chayefsky brings to everything he has written.
While Marty is claimed to be his greatest work, I disagree. For my money, the middle section of The Hospital is his best writing. It is a 20 minute dialog between Diana Rigg and George C. Scott culminating in his sexual assault of her, though it’s not mean spirited… it’s out of desperation, a last act before his suicide. The scene illustrates why Chayesky is the best screenswriter/playwright ever. So stop reading, and run to the nearest video store (hopefully TLA video on 1520 Locust St. Philadelphia, PA… and while you’re there renting The Hospital, stop by and see me… I’m the guy with the filmstrip tattoo.)
Rush Hour 3 (2007)
Directed by Brett Ratner
Written by Jeff Nathanson
Starring Chris Tucker and Jackie Chan
I liked the original Rush Hour. I thought it was an entertaining buddy cop movie and I thought that Chris Tucker and Jackie Chan made a great comedic team. I liked the action and the stunts. I enjoyed the second film, it was bigger and had more of what I liked about the original. Rush Hour 3 however, well I didn’t think it was that great.
Rush Hour 3 serves as a bookend to the trilogy. We are reintroduced to characters from the original film, notably Consul Han (played by Tzi Ma) and his now grown up daughter Soo Yung (the gorgeous Jingchu Zhang). The plot revolves around an assassination attempt on Consul Han by the Triads. It seems Han knows who the leader of the Triads are and he intends to stop their criminal organization.
The script by Jeff Nathanson sets everything up but then fails to have any real payoffs. There are back-stories that are never explored (what exactly did happen between Carter and Lee in New York? They mention it every 10 minutes but the audience is never privy to the information). How does Lee all of a sudden have a brother and why do they hate each other so much? The script seems to think that isn’t pertinent information. Nathanson is the guy who wrote The Terminal, Rush Hour 2, Catch Me If You Can and is a credited writer on Indy 4. He has some serious writing credits under his belt but it seems like he phoned in the screenplay based off of his outline for Rush Hour 2.
Character wise, Lee and Carter are the same as they have always been. Although now they seem derivative and uninspired, like pale shadows of there former selves. The villains, including Kenji (Lee’s brother) are cookie cutter villains. It’s like a cliffs notes version of antagonists. Max Von Sydow is here and oh, how the mighty have fallen. He plays an uninteresting riff of his character from Minority Report. It was actually painful to watch. Character/actor wise the best moment was Roman Polanski who shows up for a small role. Watching him here makes me smile, his character was easily my favorite part of the flick (but that could be because he is one of my favorite directors… maybe I’m playing favoritism).
The action was weak compared to the previous movies and the fight scenes were, for the most part, boring. The only time I was actually enjoying myself was the moment that the flick spoofs The Godfather, the action that follows was pretty cool and enjoyable. Jackie Chan is definitely showing his age. The first two films had him doing all sorts of crazy stunts, here, he barely does anything, and what he does do shows signs of obvious wire work and blue screen. Speaking of which, the flick is littered with shoddy CGI and bad blue screen work (there is a chance what I saw wasn’t a finished cut, at least once a CG shot was still rough and had Timecode running at the top), so maybe the FX will be fixed for the release.
Besides action the Rush Hour movies have always had a healthy dose of humor, and that is intact here (but there is a lot more potty humor this time around). I did find myself chuckling through the flick. Tucker does what he does best, playing himself and showing off his dance skills. I did hate the “Who’s on First?” rip off… I mean they basically did the skit verbatim, just with different names.
And now I come to Brett Ratner, who once again proves that he is a generic filmmaker with no sense of originality. I mean, the movie is set in Paris, one of the most beautiful cities in the world, and yet he shoots it in a way that makes it look ugly, and boring. Even the Eiffel Tower becomes bland and ugly, when he shoots it. Brett I have to ask… did you go out of your way to make Paris ugly?
In the end I guess I half liked the movie. Is it worth seeing? Well that’s a tough question for me to answer because I personally think that every movie should be seen. Even the worst films ever made have small bits and pieces that are enjoyable, and it’s not exactly torture to watch a movie. I guess if you are a fan of the first two you’ll find stuff to like. If you hated the others than there is nothing here for you. If you want to see a good summer buddy cop movie… I’d personally steer you elsewhere. I consider this a rental, or at the most a matinee.
El Dia de la Bestia (1995)



Directed by Alex de la Iglesia
Written by Jorge Guerricaechevarria and Alex de la Iglesia
Starring Alex Angulo, Armando De Razza and Santiago Segura
El Dia de la Bestia or The Day of the Beast is the winner of 6 Goya awards (think Spanish Oscars) and it may be one of the most original films you see. Director Alex de la Iglesia is no stranger to dark comedy and here he runs rampant with tongue firmly planted in cheek.
The story is about a priest, Father Angel (played by Angulo) who discovered that the Apocalypse will begin on Christmas day in Madrid. Thus he embarks on a journey to stop the child of Satan from being born. But first he must become a sinner so that he can envoke Satan and discover the location of the birth. Joining him in his quest is the overweight, Heavy metal listening Jose Maria (played to perfection by Santiago Segura) and a TV psychic named Cavan (Armando De Razza). If you have ever seen Shaun of the Dead, the same style is used, the story is played straight but there is humor around every corner.
Alex de la Iglesia hammers the film with all the subtelty of a rabid elephant in a china shop but that’s his charm. He pulls some incredible shot, seemingly out of no where and he keeps the story moving at a madcap pace that Sam Raimi should envy (and take a few notes).
The flick doesn’t shy away from violence and there is some decent gore and some amazing effects (Satan just looks awesome). I highly recommend this flick. It is only available on VHS in the US but there are several Region 2 DVD’s floating around. This is definitely worth tracking down.
Viva Maria! (1965)


Directed by Louis Malle
Written by Louis Malle and Jean-Claude Carriere
Starring Jeanne Moreau and Brigitte Bardot
SEE THIS MOVIE! It may be the most fun you can have in 2 hours. Moreau and Bardot play women named Maria who at the beginning of the flick invent the striptease and at the end of the film have liberated a county. There are a million great moments in this flick… some of my favorites are the circus magician using his trained doves to drop grenades on people and the priests attempting to extract confessions from the Maria’s by using ancient torture equipment (none of which seems to work). I’m glad you took the time to stop by but stop reading now and go get a copy of Viva Maria!
Fritz the Cat (1972)

Directed by Ralph Bakshi
Written by Ralph Bakshi and R. Crumb
Starred Skip Hinnant as the voice of Fritz.
I loved the frank and lurid tale that was spun. I like the line “I killed the John” when Fritz shoots the toilet.